Daily Psalm Readings Guide

I spent part of my summer planning for a 5-part series on the Book of Psalms that I will be teaching this fall at Grace Pres SV.  In my studying, I came across a number of reading plans to go through the Psalms in a systematic way.  The simplest I came across is available in the Book of Common Prayer, which divides all of the Psalms across a 30-day cycle.

For me, this is the easiest reading plan possible... "What's today?  The Xth?  Then read Y–Z."  I'll admit that I'm not the most consistent with reading plans, so having a way to jump right in on whatever day is the best.

Below you'll find the reading list, with links to the texts in the ESV Online Study Bible (BTW an amazing free resource!).  My hope is that as I cycle through the Psalms each month, that I will become more familiar with the rhythm of the Psalms as a whole, not just skipping to the good parts.  Also, that my prayer language will increasingly reflect that found in the Psalms.  Perhaps you'll join me on this journey...


Day | Psalms
1 | 1–8
2 | 9–14
3 | 15–18
4 | 19–23
5 | 24–29
6 | 30–34
7 | 35–37
8 | 38–43
9 | 44–49
10 | 50–55
11 | 56–61
12 | 62–67
13 | 68–70
14 | 71–74
15 | 75–78
16 | 79–85
17 | 86–89
18 | 90–95
19 | 96–101
20 | 102–104
21 | 105–106
22 | 107–109
23 | 110–115
24 | 116–119:1-32
25 | 119:33-104
26 | 119:105-179
27 | 120–131
28 | 132–138
29 | 139–143
30 | 144–150

Taken from “The Table for the Order of the Psalms to Be Said at Morning and Evening Prayer” The Book Of Common Prayer, 1559

In light of last month's movie discussion on Atticus Finch and heroism, here is an article by someone thinking along similar lines. An excerpt:

Atticus teaches us that courage has nothing to do with winning. “I wanted you to see what real courage is,” he tells his children. “It’s when you know you’re licked before you begin but you begin anyway and you see it through no matter what. You rarely win, but sometimes you do.”

Such heroism is evidence of something divine running through the DNA of humanity. A God-given courage that recognizes our actions might impact eternity more significantly than they ever will in the here and now—that we may lose the argument, the day, even the trial—but we have still advanced the kingdom. This kind of courage isn’t about winning, but making the decision to do what is right—no matter the cost.

from "Why We Love Atticus Finch", by Matt Litton

"O Brother" and the Homeric Hero

On Friday, August 27, I will be leading a discussion on "O Brother Where Art Thou?", the second installment in a series I'm calling Holding Out For A Hero, looking at different types of heroes in modern thought and how they point to our need for true heroes. (To come to the discussion, get the info here.)

"O Brother" is adapted from the epic poem "The Odyssey", portraying the homeward journey of one of the greatest heroes in all of literature, Odysseus (or Ulysses). George Clooney's character, Ulysses Everett McGill, presents the viewer with an interesting image of the modern (or post-modern) hero, even as he is based on Homer's original.

I thought a helpful way to start our discussion would be to consider the heroic qualities of Homer's two great heroes, Achilles and Odysseus. I have asked Rachel Knudsen, friend and Classics Scholar, to write the following character sketch of each hero:

The Greek epic hero is most famously embodied by not one character but two, Achilles and Odysseus. These two men are the respective protagonists of the Iliad and the Odyssey, and represent two sides of the coin of Greek epic heroism.

Achilles is the individualist: the greatest warrior of all the Greeks, he fights almost exclusively to pile up personal glory. He is obsessed with making his name and fame immortal through his superhuman feats on the battlefield. As such, he cares less about the actual cause for fighting (re-capturing Helen from the Trojans and thus avenging the honor of the Greek king Agamemnon), and more about the war as a vehicle for his own exploits. He also cares little about his fellow Greek warriors: he's willing to let them die to make the point that he is indispensable to the Greek cause after Agamemnon disrespects him. Individual glory and honor are everything to Achilles, and this ruthless mindset, along with his utter dominance at fighting, is the essence of his brand of heroism. It also leads him to the appropriate heroic destiny: an early death on the battlefield, having achieved the glory he desired more than anything else.

Odysseus demonstrates his heroism not through fighting prowess (he's an average warrior), but through cunning, understanding of people and situations, and skillful leadership. It is Odysseus' ingenuity in coming up with the Trojan Horse tactic that allows the Greeks to win the Trojan war after 10 years of fighting. Throughout the Odyssey, Odysseus uses clever speeches and sometimes even deception to get what he wants (and sometimes to escape from danger) during his long journey home from Troy. He comes up with an elaborate strategy to reinstate himself as ruler of his homeland, to reintegrate himself with his family, and to defeat the rivals to his throne who greatly outnumber him; as usual, Odysseus bases this strategy on cleverness and knowledge of human nature, rather than on brute force. He also shows great care and concern for the men he is in charge of during the voyage home: he protects them, takes responsibility for them, and sometimes even suffers because of their foolishness. As a result, he is a beloved and trusted leader of men. Ultimately, these qualities of leadership and community-mindedness allow Odysseus to achieve his heroic destiny: a long and peaceful life as ruler over his homeland, with his family at his side.

How do these heroes strike you? Are we looking for heroes in the 21st century who embody these qualities?

give reviving

the current sermon series at Grace Pres. is on Spiritual Renewal and Revival. in response to yesterday's sermon called "What Renewal Is and Isn't", the music team sang "Give Reviving", which was a fitting meditation on Drew's guidance from Exodus 33, that we seek revival for ourselves and others through praying that God would "wake [his] slumbering children".

this is a hymn written originally by Albert Midlane (19th cent.), who wrote over 300 hymns for children (many great hymns were originally written for children, and were later picked up by the adults; cf. Horatius Bonar). Chelsey Scott updated the words and wrote music along with Aaron Sands. she recorded it for the 5th Indelible Grace album (embedded here), and Sandra McCracken recorded it for her latest hymn project In Feast Or Fallow (which releases 4/27 and I will post about shortly).

• RUF Hymnbook listing (with lead sheet and tips on playing the guitar part)
• Indelible Grace V - IGraceMusic.com | iTunes
• Sandra McCracken - New Old Hymns | iTunes

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Give Reviving
1. Father for Thy, promised blessing,
Still we plead before Thy throne
For the times of, sweet refreshing,
Which can come from Thee alone
Blessed earnests, Thou hast given,
But in these we would not rest
Blessings still with, Thee are hidden,
Pour them forth and make us blest!

2. Prayer ascendeth to Thee ever,
Answer! Father, answer prayer
Bless oh bless each, weak endeavor,
Blood-bought pardon to declare
Wake Thy slumbering, children wake them,
Bid them to Thy harvest go
Blessings O our, Father make,
Round their steps let blessings flow

3. Let no people be forgotten,
Let Thy showers on all descend
That in one loud blessed anthem,
millions may in triumph blend
Give reviving, give refreshing,
Give the looked-for Jubilee
To Thyself may, crowds be pressing,
Bringing glory unto Thee

Words: Albert Midlane; Chelsey Scott, alt.
Music: Chelsey Scott; Aaron Sands
© 2007 Innocent Smith (admin by The Loving Company)/Petit Bateaux Music (ASCAP).

being human in a Sci-Fi world

I came across a story in USA Today from earlier this week (via CTMovies) that looks at the recent success of Science-Fiction films and Oscar nominations for Best Picture going to Avatar and District 9. The closing quote in the article is the most profound, coming from Sigourney Weaver, as she reflects on whether either of these movies will actually win Oscars:

"With that label, 'sci-fi,' I think it'll be tough," she says. "But of course, to look at these movies with that label is to miss the points they are trying to make. These movies ask us to look at what it means to be human."

I find it interesting that a genre that might have been shunned in the past as "for the nerds" is now mainstream, but why the success now? I won't go as far as to say, "I called it", but I'm pleased that the Fall Movies @ Grace series was called "Being Human", exploring topics of humanness and authentic experience in Into the Wild, Wall-E, and The Soloist (though I had to cancel the last showing because Sarah was about to go into labor). The discussion about sci-fi after viewing Wall-E was a lot of fun, about the stark/bleak vision of the future at the start of the film and how robots demonstrated characteristics of human love and courage far more naturally than the blobular humans in the movie.

(Good/lasting) Sci-fi and Fantasy artworks typically deal with this theme, about what it means to be human. In recent years, these genres have increased in visibility and popularity. The remake of Battlestar Gallactica comes to mind as a great example. What other movies/shows/books come to mind for you? Why do you think that this has come about now, in first decade of the 21st Century?